A Soundtrack Frenzy, Part 2.

The article focuses on a detailed discussion of the Quartet Records album featuring the dual film scores by Henry Mancini and Ron Goodwin for Alfred Hitchcock's film *Frenzy*. It explores various aspects of the music, including Goodwin's unused end title, Hitchcock's notes for Goodwin, alternate Mancini cues, and differences in orchestral style between the two composers. The conversation, led by associate producer Deniz Cordell, also highlights contributions from editor John Jympson and includes exclusive bonus tracks and liner notes. The article presents an in-depth examination of the musical interpretations without favoring one score over the other, providing insights into the film’s soundscape and production.