JOURNAL ARTICLE
The Unsituated Comedy.
Published In: JCMS: Journal of Cinema & Media Studies, 2024, v. 63, n. 4. P. 53 1 of 3
Database: Academic Search Ultimate 2 of 3
Authored By: Gray, Jonathan; Gershon, Daphne 3 of 3
Abstract
The article discusses the evolution of American sitcoms and the emergence of a new subgenre called "unsituated comedy." It explains how traditional sitcoms have followed a formulaic structure, while unsituated comedies challenge conventions by adopting more fluid storytelling, character dynamics, and forms of humor. The authors provide a list of twenty-three American comedies that exemplify the unsituated comedy subgenre, arguing that these shows offer new portrayals of marginalized identities and have the potential to challenge norms and offer social commentary. The article acknowledges that some sitcoms have already challenged norms and offered social commentary, but the post-network era has brought about significant changes that have allowed for the emergence of unsituated comedies. These shows break away from traditional sitcom conventions by exploring different settings, allowing characters to grow, and presenting narratives that are less linear and more open-ended. Unsituated comedies offer a hybrid space between comedy and drama, challenging cultural scripts of normalization. The article emphasizes that unsituated comedies are not necessarily superior to traditional sitcoms, but rather offer new possibilities for exploring power dynamics in communities and everyday life. These shows, such as Scrubs, Modern Family, and The Office, have shifted away from the traditional sitcom format by allowing greater movement and exploring a wider range of characters and settings. They no longer rely on a central space or a limited cast, but instead showcase characters in various locations and introduce new characters from their neighborhoods or communities. Unsituated comedies also delve [Extracted from the article]
Additional Information
- Source:JCMS: Journal of Cinema & Media Studies. 2024/07, Vol. 63, Issue 4, p53
- Document Type:Article
- Subject Area:Biography
- Publication Date:2024
- ISSN:2578-4900
- DOI:10.1353/cj.2024.a934547
- Accession Number:179082566
- Copyright Statement:Copyright of JCMS: Journal of Cinema & Media Studies is the property of Society of Cinema & Media Studies and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
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