Wrap Shot: The Color of Money.

The author reflects on the cinematographic mastery and dynamic visual storytelling in Martin Scorsese's "The Color of Money," showing how Michael Ballhaus, ASC, BVK translated the protagonist's bravado and energy into the film's visual style. Topics include Ballhaus' use of moody, low-light Chicago pool halls, innovative camera movements that heighten tension during pool games, and the between Scorsese, the actors, and cinematographer to create striking, realistic trick-shot sequences.