Spirit-Surrendered Surrealism: The Language of the Black Diaspora.

  • Published In: International Journal of Surrealism, 2025, v. 2, n. 2. P. 86 1 of 3

  • Database: Academic Search Ultimate 2 of 3

  • Authored By: dukes, rachel 3 of 3

Abstract

The article explores the intersection of jazz music and surrealism, particularly through the lens of Black cultural expression and identity. It discusses how figures like André Breton and Ted Joans viewed jazz as a spiritual and instinctual language that transcends traditional artistic boundaries, serving as a means of liberation for Black individuals. The piece highlights the concept of double consciousness introduced by W. E. B. Du Bois, while also critiquing its limitations in fully capturing the Black experience. Ultimately, it posits that surrealism, as embraced by Black artists, is not merely an aesthetic but a profound surrender to the spirit that embodies the unique language of the Black diaspora. [Extracted from the article]

Additional Information

  • Source:International Journal of Surrealism. 2025/03, Vol. 2, Issue 2, p86
  • Document Type:Article
  • Subject Area:Biography
  • Publication Date:2025
  • ISSN:2837-4649
  • DOI:10.1353/ijs.2025.a969721
  • Accession Number:188319790
  • Copyright Statement:Copyright of International Journal of Surrealism is the property of University of Minnesota Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

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