JOURNAL ARTICLE
A Systematic Analysis of Factors Predicting Audience Perception: Comparing Theatrical Film Releases and OTT Platforms.
Published In: Journal of African Film & Diaspora Studies (JAFDIS), 2026, v. 9, n. 1. P. 115 1 of 3
Database: Humanities Source Ultimate 2 of 3
Authored By: Gundeti, Sandeep; Bhatnagar, Deepali 3 of 3
Abstract
The article systematically reviews fifty empirical studies from 2010 to 2025 to analyze factors influencing audience perception of theatrical film releases versus Over-the-Top (OTT) platforms in a digitally convergent media environment. It identifies five key thematic areas shaping viewer behavior: emotional engagement and immersive experience, technological disruption with algorithmic personalization, symbolic and branding influences on identity, cultural affinity and regional preferences, and hybrid consumption patterns reflecting platform fluidity. The findings reveal that while theatrical cinema remains valued for its collective, immersive, and culturally symbolic experience, OTT platforms attract audiences through personalized, flexible, and algorithm-driven content access, with many viewers adopting hybrid viewing habits based on context and content type. The review highlights the predominance of qualitative research, the importance of culturally localized content, and the strategic need for media stakeholders to develop adaptive, dual-platform content strategies that address emotional resonance, technological transparency, and cultural diversity. Limitations include language restrictions and a qualitative research bias, suggesting future studies should incorporate longitudinal and mixed-method approaches to deepen understanding of evolving audience dynamics.
Additional Information
- Source:Journal of African Film & Diaspora Studies (JAFDIS). 2026/03, Vol. 9, Issue 1, p115
- Document Type:Article
- Subject Area:Communication and Mass Media
- Publication Date:2026
- ISSN:25162705
- DOI:10.31920/2516-2713/2026/v9n1a6
- Accession Number:193029450
- Copyright Statement:Copyright of Journal of African Film & Diaspora Studies (JAFDIS) is the property of Adonis & Abbey Publishers Ltd. and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
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