JOURNAL ARTICLE

Community-Based Cinema in Abiayala and the Classroom.

  • Published In: JCMS: Journal of Cinema & Media Studies, 2025, v. 65, n. 2. P. 143 1 of 3

  • Database: Academic Search Ultimate 2 of 3

  • Authored By: Rodríguez, Paul A. Schroeder 3 of 3

Abstract

The article discusses the concept of Fourth Cinema, as articulated by Māori director Barry Barclay, which emphasizes community-based filmmaking that counters the prejudices of traditional cinematic forms. It highlights the role of the Latin American Council of Indigenous People's Film and Communication (CLACPI) in promoting Indigenous cinema in Abiayala, focusing on the philosophical principle of suma qamaña, or "convivial coexistence," which informs both filmmaking and educational practices. The author shares Indigenous pedagogical methods such as circle practice, storytelling, and learning by doing, which foster collaborative learning environments. The article concludes by emphasizing the importance of community-based cinema as a means for Indigenous and Afro-diasporic communities to reclaim and revitalize their cultures and languages. [Extracted from the article]

Additional Information

  • Source:JCMS: Journal of Cinema & Media Studies. 2025/12, Vol. 65, Issue 2, p143
  • Document Type:Article
  • Subject Area:Education
  • Publication Date:2025
  • ISSN:2578-4900
  • Accession Number:191434093
  • Copyright Statement:Copyright of JCMS: Journal of Cinema & Media Studies is the property of Society of Cinema & Media Studies and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

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