The Impossible Film: In the late 1920s, the great Soviet director Sergei Eisenstein made notes for a dream project: Das Kapital, the film.

The article explores Sergei Eisenstein's unfinished attempt to adapt Marx's Capital into a revolutionary film, revealing how his fragmented notebooks became an artistic experiment in dialectical thinking. Topics include the intersection of Marxist theory and avant-garde cinema, Eisenstein's innovative use of montage as political philosophy; and how his unfinished project speaks to contemporary crises of representation.