JOURNAL ARTICLE

Here Comes The Bride!

  • Published In: American Cinematographer, 2026, v. 107, n. 4. P. 34 1 of 3

  • Database: Art Source Ultimate 2 of 3

  • Authored By: Desowitz, Bill 3 of 3

Abstract

This article focuses on cinematographer Lawrence Sher, ASC’s collaboration with director Maggie Gyllenhaal on *The Bride!*, a subversive reinvention of *The Bride of Frankenstein*. Sher discusses their creative process, including the use of anamorphic and Imax formats, the choice of Sony Venice 2 camera for low-light scenes, and the development of distinctive lighting techniques to evoke vintage and expressionistic moods. The film features innovative sequences such as black-and-white scenes of Mary Shelley, a high-frame-rate stair fall, and a visually striking Bride reanimation inspired by Bergman’s *Persona*. Gyllenhaal reflects on her learning experience working with Sher, highlighting their shared emotional and technical exploration to realize the film’s unique tone and storytelling. [Extracted from the article]

Additional Information

  • Source:American Cinematographer. 2026/04, Vol. 107, Issue 4, p34
  • Document Type:Film/TV Criticism and Review
  • Subject Area:Film
  • Publication Date:2026
  • ISSN:0002-7928
  • Accession Number:192712297
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