Belgrade, Serbia.

The article focuses on the vibrant music scene in Belgrade, Serbia, highlighting the fusion of traditional Balkan folk with contemporary genres such as electronic, rock, and jazz. It features Vladimir Lenhart and his Lenhart Tapes project, which blends ethnic folk sounds with experimental tape manipulation and live vocals, reflecting the region's diverse cultural influences. The piece also discusses the BAM (Balkan Academy of Music) club, operated by New Zealand saxophonist Hayden Chisholm, which fosters collaboration between jazz and folk musicians. Additionally, the article mentions the pan-Balkan vocal quintet PJEV from Zagreb, known for their dynamic post-Yugoslavian a cappella folk performances.