JOURNAL ARTICLE
The costumes of an archaic dream: Pasolini, Danilo Donati and Oedipus the King (1967).
Published In: Journal of Italian Cinema & Media Studies, 2025, v. 13, n. 1/2. P. 163 1 of 3
Database: Film & Television Literature Index with Full Text 2 of 3
Authored By: Chiesi, Roberto 3 of 3
Abstract
This article focuses on the collaboration between filmmaker Pier Paolo Pasolini and costume designer Danilo Donati in the 1967 film *Oedipus the King*. Pasolini sought to create an "indistinct barbaric" aesthetic by blending elements from Persian, Sumerian, Aztec, and African art, following his "method of contamination" to evoke a dream-like, archaic atmosphere rather than a historically accurate ancient Greece. Donati crafted costumes from humble, hand-sewn materials such as feathers, copper, and straw, designed to appear artisanal and physically burdensome, reinforcing the film's existential themes through corporeality. The use of oversized headdresses and African masks contributed to the film's surreal and symbolic visual language, emphasizing the mythic and hallucinatory dimensions of the narrative.
Additional Information
- Source:Journal of Italian Cinema & Media Studies. 2025/01, Vol. 13, Issue 1/2, p163
- Document Type:Article
- Subject Area:Health and Medicine
- Publication Date:2025
- ISSN:2047-7368
- DOI:10.1386/jicms_00257_7
- Accession Number:182796583
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