JOURNAL ARTICLE

The Rhône and the Saône.

  • Published In: Oxford Art Journal, 2025, v. 48, n. 1. P. 179 1 of 3

  • Database: Art Source Ultimate 2 of 3

  • Authored By: Clark, T J 3 of 3

Abstract

The article focuses on the mural "Le Rhône et la Saône" by Pierre Puvis de Chavannes, created in 1886 for the Musée des Beaux-Arts in Lyon, and its significance in the context of art history and aesthetic experience. The author reflects on the involuntary nature of artistic choices and the complexities of interpreting the painting, particularly in relation to gender dynamics, as represented by the figures of the rivers Rhône and Saône. The piece emphasizes the collaboration between Puvis and his model, Suzanne Valadon, exploring themes of beauty, the burden of being looked at, and the interplay between masculine and feminine representations in art. The discussion also touches on the historical context of the painting and its reception, highlighting the nuances of artistic expression and interpretation. [Extracted from the article]

Additional Information

  • Source:Oxford Art Journal. 2025/03, Vol. 48, Issue 1, p179
  • Document Type:Article
  • Subject Area:History
  • Publication Date:2025
  • ISSN:0142-6540
  • DOI:10.1093/oxartj/kcaf007
  • Accession Number:188960790
  • Copyright Statement:Copyright of Oxford Art Journal is the property of Oxford University Press / USA and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Looking to go deeper into this topic? Look for more articles on EBSCOhost.