JOURNAL ARTICLE

Mannerism and the Expressive Body in Eighteenth-Century French Ballet: Diderot and Noverre.

  • Published In: Eighteenth Century: Theory & Interpretation, 2023, v. 64, n. 3/4. P. 267 1 of 3

  • Database: Academic Search Ultimate 2 of 3

  • Authored By: Sabee, Olivia 3 of 3

Abstract

The article delves into the debates surrounding narrative and embodiment in eighteenth-century French ballet, with a focus on the contrasting views of Diderot and Noverre. Diderot questions the imitative potential of dance movements, while Noverre aims to establish ballet as a narrative art form, particularly in tragic and heroic genres. The discussion also examines the concept of mannerism in dance, with Diderot critiquing the belle danse for prioritizing presentation over emotional expression, while Noverre sees it as a foundational element in need of refinement for better storytelling. The text explores how Diderot and Noverre approached ballet in the eighteenth century, emphasizing the use of bodily movement and facial expression to convey emotions, and highlighting the complexities of ballet reform during this period. [Extracted from the article]

Additional Information

  • Source:Eighteenth Century: Theory & Interpretation. 2023/09, Vol. 64, Issue 3/4, p267
  • Document Type:Article
  • Subject Area:History
  • Publication Date:2023
  • ISSN:0193-5380
  • DOI:10.1353/ecy.2023.a950264
  • Accession Number:183016846
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