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The Political Aesthetics of Agricultural Protest: Contemporary and Historical Perspectives.

  • Published In: Substance: A Review of Theory & Literary Criticism, 2024, v. 53, n. 3. P. 3 1 of 3

  • Database: Academic Search Ultimate 2 of 3

  • Authored By: Fluhrer, Sandra 3 of 3

Abstract

This introduction takes recent agricultural protests and Francisco Goya's famous painting of a revolting peasant No harás nada con clamar ("You won't get anywhere by shouting" c. 1816–1820) as a starting point to discuss pivotal moments in the history of agricultural protest and reflect on recurrent aesthetic tendencies of artistic manifestations of revolt. Its main points of focus are the various global protest cultures of the present in their socio-political ecological economic and aesthetic contexts including their differences and internal ambivalences. The introduction traces different and recurring aspects of the political imaginary of agriculture from the early-modern peasant wars and 19th-century agricultural realism to the (re-)medialized images and gestures of the 20th century and the present. It concludes with an overview of what is at stake in the contributions of this special issue. [ABSTRACT FROM AUTHOR]

Additional Information

  • Source:Substance: A Review of Theory & Literary Criticism. 2024/09, Vol. 53, Issue 3, p3
  • Document Type:Article
  • Subject Area:History
  • Publication Date:2024
  • ISSN:0049-2426
  • DOI:10.1353/sub.2024.a944505
  • Accession Number:181087580
  • Copyright Statement:Copyright of Substance: A Review of Theory & Literary Criticism is the property of Johns Hopkins University Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

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