Past and Present: Competing Ideologies of Impressionism in France, c. 1930–1950.

The article discusses the evolving perceptions of Impressionism in France during the early to mid-20th century. It mentions the changing ideologies surrounding Impressionism during this period, with an emphasis on how different individuals and critics viewed the movement. it also mentions the critical views of Robert Rey, who believed Impressionism marked a decline in French art, and Pierre Francastel, who saw Impressionism as a vital part of modern art history.