JOURNAL ARTICLE

Dreaming of Cydalise: Chimeras, disfiguration, translation.

  • Published In: Orbis Litterarum, 2024, v. 79, n. 4. P. 379 1 of 3

  • Database: Academic Search Ultimate 2 of 3

  • Authored By: Luca, Dinu 3 of 3

Abstract

This essay argues that translation, next to other kinds of language ferrying, can be profitably seen as remedial work. To make this point, I discuss five attempts at poetising 'Cydalise', a chimera dreamed into being by Théophile Gautier (1811–1872). After introducing it, I investigate three of Gautier's failed textualisations of this chimera and the resulting early tokens of literary chinoiserie and literary pastel. I then explore the disfigurations Cydalise suffers at the hands of Romanian writer Vasile Alecsandri (1821–1890) as he appropriates, refashions and explodes chinoiserie (and distorts pastel) in his endeavour to capture Gautier's 'dream in its reality'. I next trace the translatorial moves Chinese poet Shao Xunmei (1906–1968) enacts finally to transport Cydalise into text, as he also pays discreet homage to the powers of translation. I conclude by giving firmer contours to the hypertextual landscape I imagine, which equally welcomes originals, translations and everything in between. [ABSTRACT FROM AUTHOR]

Additional Information

  • Source:Orbis Litterarum. 2024/08, Vol. 79, Issue 4, p379
  • Document Type:Article
  • Subject Area:History
  • Publication Date:2024
  • ISSN:0105-7510
  • DOI:10.1111/oli.12441
  • Accession Number:178296718
  • Copyright Statement:Copyright of Orbis Litterarum is the property of Wiley-Blackwell and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

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