BERLIOZ: Symphonie Fantastique; MAYUZUMI: Bugaku.

This article reviews two orchestral works: Hector Berlioz’s symphony conducted by Andrea Battistoni with the Tokyo Philharmonic, and Toshiro Mayuzumi’s ballet "Bugaku," commissioned by the New York City Ballet. Battistoni’s interpretation of Berlioz is noted for its dramatic contrasts, fast tempos, prominent basses, and expressive solos, culminating in a powerful and intense finale. Mayuzumi’s "Bugaku," inspired by a traditional Japanese court dance, is described as a colorful, ritualistic, and sometimes chaotic two-part ballet featuring complex orchestration and a blend of Eastern and Western musical elements. The review highlights the contrasting styles and atmospheres of the two works, suggesting that "Bugaku" may appeal to some listeners while others might find it challenging.