Modernity, Tradition, and Identity: The Transformation of Music-Making in Palestine, 1936 to 1948.

This article examines the transformation of music-making in Palestine from 1936 to 1948, the last years of the British Mandate era and a period marked by significant cultural and political change. The establishment of influential radio stations, notably the Palestine Broadcasting Service and the Near Eastern Broadcasting Station, catalyzed the spread of new musical styles and innovations across the region. This era witnessed a dynamic interplay of modernity, tradition, and identity, as Palestinian musicians navigated the challenges posed by Western influences and the quest for authenticity amid evolving sociopolitical realities. The article explores how musicians articulated their national identity in relation to broader Arab cultural movements while grappling with the complexities of their unique circumstances under the British Mandate. By engaging with archival recordings and historical contexts, the study reveals how music became a vital tool for Palestinians to assert their identity and to connect with regional trends. Ultimately, it highlights the multifaceted nature of Palestine’s musical heritage and its role as a hub for artistic expression during a pivotal time in history. [ABSTRACT FROM AUTHOR]