Margaret Bonds: Credo; Simon bore the Cross.

The article reviews recent recordings and publications in contemporary and choral music, highlighting works by composers such as Erkki-Sven Tüür, Fausto Caporali, Margaret Bonds, Gustav Holst, Frank Martin, Maurice Duruflé, Raimonds Pauls, and Jonathan Dove. It emphasizes the innovative blending of musical styles and languages, the historical and cultural contexts of the compositions, and the quality of performances by various choirs and ensembles. Additionally, it notes the publication of *The Oxford Book of Choral Music by Black Composers*, compiled by Marques L. A. Garrett, which aims to showcase original choral works by Black composers. The reviews focus on the artistic significance and interpretive approaches without extraneous commentary.