JOURNAL ARTICLE

Ruskin's Double Plots.

  • Published In: Oxford Art Journal, 2025, v. 48, n. 1. P. 131 1 of 3

  • Database: Art Source Ultimate 2 of 3

  • Authored By: Melius, Jeremy 3 of 3

Abstract

The article reexamines John Ruskin's interpretation of J. M. W. Turner's art, particularly focusing on the themes of solitude and desolation in the final volume of *Modern Painters* (1860). It discusses how Ruskin's understanding of Turner's work evolved over time, reflecting on the artist's complex relationship with modernity and the socio-historical context of his life. The text highlights the contrasts between Turner and the Venetian painter Giorgione, emphasizing how their differing environments shaped their artistic sensibilities. Ultimately, the article explores Ruskin's non-linear approach to art history, which intertwines personal and historical narratives, revealing the profound impact of Turner's experiences on his artistic output. [Extracted from the article]

Additional Information

  • Source:Oxford Art Journal. 2025/03, Vol. 48, Issue 1, p131
  • Document Type:Article
  • Subject Area:History
  • Publication Date:2025
  • ISSN:0142-6540
  • DOI:10.1093/oxartj/kcaf009
  • Accession Number:188960792
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