JOURNAL ARTICLE
Stan Douglas.
Published In: Frieze, 2026, n. 256. P. 124 1 of 3
Database: Art Source Ultimate 2 of 3
Authored By: Barry, Salena 3 of 3
Abstract
The article focuses on Stan Douglas's five-channel film installation "Birth of a Nation" (2025), exhibited at Victoria Miro in London. The installation critiques the 1915 silent film "The Birth of a Nation" by D.W. Griffith, highlighting the transition from post-Civil War promises of equality to the Jim Crow era's civil rights erosion. Douglas presents alternative narratives through the perspectives of various characters, emphasizing themes of misidentification and the influence of media on public perception. Additionally, his photographic series "The Enemy of All Mankind" (2024) explores identity and representation, prompting viewers to reflect on how narratives shape their understanding of race and gender. [Extracted from the article]
Additional Information
- Source:Frieze. 2026/01, Issue 256, p124
- Document Type:Article
- Subject Area:History
- Publication Date:2026
- ISSN:0962-0672
- Accession Number:191476394
- Copyright Statement:Copyright of Frieze is the property of Frieze Publishing Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
Looking to go deeper into this topic? Look for more articles on EBSCOhost.