JOURNAL ARTICLE

THE LYRIC COMPOSERS OF THE CONCENTRATION CAMPS: When German fascism came to power, it interrupted a revolutionary experiment in freedom exemplified by two classical composers: Arnold Schoenberg and Hanns Eisler.

  • Published In: Jacobin Magazine, 2024, n. 55. P. 34 1 of 3

  • Database: Sociology Source Ultimate 2 of 3

  • Authored By: ROSE, ISAAC 3 of 3

Abstract

The article discusses how German fascism interrupted the revolutionary musical experiment in freedom led by classical composers Arnold Schoenberg and Hanns Eisler. Schoenberg's abandonment of tonality and development of the twelve-tone system challenged traditional music conventions, while Eisler's music was influenced by both Schoenberg and the October Revolution. Both composers were forced into exile by the Nazis, who banned their "degenerate" music for its subversive and expressive qualities. Despite facing persecution, Schoenberg and Eisler remained committed to truth-telling in their music. [Extracted from the article]

Additional Information

  • Source:Jacobin Magazine. 2024/10, Issue 55, p34
  • Document Type:Article
  • Subject Area:History
  • Publication Date:2024
  • ISSN:2470-6930
  • Accession Number:182430890
  • Copyright Statement:Copyright of Jacobin Magazine is the property of Jacobin Foundation and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Looking to go deeper into this topic? Look for more articles on EBSCOhost.