Artemisia Gentileschi.

The article focuses on Artemisia Gentileschi, a prominent seventeenth-century Italian artist known for her reinterpretation of biblical stories from a female perspective, including works like Judith Beheading Holofernes and The Conversion of the Magdalene. Gentileschi was the first woman admitted to the Accademia di Arte del Disegno in Florence and gained recognition and patronage, notably from the Medici family. Her frequent self-portraits, which were not intended as accurate likenesses, may have served personal and practical purposes, such as processing life events or compensating for the lack of hired models. After separating from her husband, she led an independent household, a rarity for women of her era.