Laissez-Passer: Papering over the French Revolutionary Past.

  • Published In: Art History, 2024, v. 47, n. 4. P. 768 1 of 3

  • Database: Academic Search Ultimate 2 of 3

  • Authored By: Taws, Richard 3 of 3

Abstract

In France, the last decade of the eighteenth century saw an explosion in papers of diverse kinds, put to new political uses. However, in the aftermath of the French Revolution, paper was also instrumentalised to articulate histories of revolutionary participation, as well as changing ideas about revolutionary identification. Some of these were coded as virtuous: paper objects found a place at the heart of sentimental accounts of personal sacrifice, such as that of prison warder Joseph Cange. Conversely, paper was central to claims for culpability or reparation—most strikingly, assorted papers were mobilised as defence against recrimination for involvement in regicide, as discussed here in relation to printmaker and politician Antoine-Louis-François Sergent-Marceau. This essay considers how the apparent abundance that characterised the period's paper ecology, along with new attitudes toward paper's proliferation, preservation and disposal, bore the imprint of political justification, evasion and historical revisionism—all framed by the need to 'pass' as post-revolutionary. [ABSTRACT FROM AUTHOR]

Additional Information

  • Source:Art History. 2024/09, Vol. 47, Issue 4, p768
  • Document Type:Article
  • Subject Area:Law
  • Publication Date:2024
  • ISSN:0141-6790
  • DOI:10.1093/arthis/ulae045
  • Accession Number:180860696
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