In a sea of binary algae: Marker's Level Five as non-representational documentary.

The article discusses that film director Chris Marker's documentary film "Level Five" can be understood as a non-representational historical documentary and how this film interrogates representation concerning the form's ability to communicate historical events. It mentions how Marker's emphasis on the experiential dimension of images goes hand in hand with a desire to make historical films outside the strictures of chronology by cutting, trimming, and splitting.