JOURNAL ARTICLE

The Grotesque, the Arabesque, and the Tale.

  • Published In: Poe Studies: History, Theory, Interpretation, 2024, v. 57. P. 183 1 of 3

  • Database: Humanities Source Ultimate 2 of 3

  • Authored By: de la Serna, Ramón Gómez; Vallejo, Translated by Santiago Sevilla; Hague, Daryl 3 of 3

Abstract

This article explores the concepts of the grotesque and the arabesque in the works of Edgar Allan Poe. It argues that these concepts are intertwined and contribute to the success of Poe's work. The article discusses how the grotesque and the arabesque can transform the mundane into something extraordinary. It also examines the relationship between the grotesque and the baroque, as well as the role of the arabesque in concealing the grotesque. Overall, the article provides a nuanced analysis of these concepts in Poe's writing. Additionally, the text discusses Poe's fascination with palaces, his exploration of beauty and deception, and his use of grotesque and macabre imagery. It portrays Poe as a unique and influential writer who delves into the darker aspects of human existence. [Extracted from the article]

Additional Information

  • Source:Poe Studies: History, Theory, Interpretation. 2024/01, Vol. 57, p183
  • Document Type:Article
  • Subject Area:Literature and Writing
  • Publication Date:2024
  • ISSN:19474644
  • DOI:10.1353/poe.2024.a939006
  • Accession Number:180148132
  • Copyright Statement:Copyright of Poe Studies: History, Theory, Interpretation is the property of Johns Hopkins University Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

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