Graphic Memoirs as Memory, Identity, and Text.

The article focuses on the growing and evolving form of graphic memoirs and their ability to capture personal narratives while exploring universal experiences and incorporating intertextuality. Topics include the use of visual metaphors in Art Spiegelman's "Maus," intersectional approach to cultural history in Gene Luen Yang's "Dragon Hoops," exploration of gender identity in Lewis Hancox's "Welcome to St. Hell," and the transformative power of books and media in Maia Kobabe's "Gender Queer."