Daphnis et Chloe.

This review focuses on John Wilson's interpretation of Maurice Ravel's ballet *Daphnis et Chloé*, performed by the Sinfonia of London Orchestra and Chorus. Wilson's reading is described as straightforward and direct, emphasizing bold colors, clear textures, and powerful climaxes, with a style leaning more English than French. The performance features exemplary playing, notable brass dexterity, and a strong chorus, though its pacing is considered somewhat staid and less atmospheric than typical French interpretations. This version may appeal to listeners who prefer clarity and definition over the lush, impressionistic qualities often associated with the work.