The Ghoul.

The article focuses on Freddie Francis's 1975 British horror film *The Ghoul*, situating it within the context of 1970s horror cinema and its relationship to earlier British horror traditions, particularly those associated with Hammer Films. It highlights the film's period setting, postcolonial themes, and Peter Cushing's rare leading role as a grieving father confronting his son's monstrous transformation. The piece also discusses the film's limited availability compared to other contemporaneous British horror titles and notes the challenges surrounding the distribution of Tyburn Films' library, which includes several works featuring Cushing. Additionally, the article examines the film's narrative and stylistic elements, including its use of Eastern mythology and its place as a transitional work preceding the rise of more graphic horror genres.