JOURNAL ARTICLE

Thomson's Entropic Noiseuse: Destructive Chaos in James Thomson's The Seasons.

  • Published In: Pennsylvania Literary Journal (2151-3066), 2023, v. 15, n. 1. P. 66 1 of 3

  • Database: Academic Search Ultimate 2 of 3

  • Authored By: Hiskes, Ben 3 of 3

Abstract

This paper examines how James Thomson's long poem The Seasons, particularly its subsection "Autumn," depicts scenes of chaos that both draw and diverge from conceptions of chaos in John Milton's Paradise Lost. It argues that while the Miltonic tradition portrays chaos as separate from the providentially ordered creation, Thomson incorporates a form of destructive chaos into his vision of nature that resonates with the later scientific concept of entropy. However, through allusions to the biblical chaos of Milton's Paradise Lost, "Autumn" links its scenes of dissolution to a larger cosmic cycle of destruction and creation by which order falls to primordial chaos in order to allow for repeated creations. Ultimately, through these returns to chaos and renewals of creation, "Autumn" imagines a temporality of rises and falls that diverges from the providential teleology of Paradise Lost. [ABSTRACT FROM AUTHOR]

Additional Information

  • Source:Pennsylvania Literary Journal (2151-3066). 2023/03, Vol. 15, Issue 1, p66
  • Document Type:Article
  • Subject Area:Literature and Writing
  • Publication Date:2023
  • ISSN:2151-3066
  • Accession Number:164000431
  • Copyright Statement:Copyright of Pennsylvania Literary Journal (2151-3066) is the property of Pennsylvania Literary Journal and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

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