JOURNAL ARTICLE
Why Delight in Screamed Vocals? Emotional Hardcore and the Case Against Beautifying Pain.
Published In: British Journal of Aesthetics, 2024, v. 64, n. 4. P. 625 1 of 3
Database: Academic Search Ultimate 2 of 3
Authored By: Murphy, Sean T 3 of 3
Abstract
The article addresses the "screamed vocals problem," which questions why fans of emotional hardcore music appreciate screamed vocals—expressions of intense emotional pain—while recognizing that similar appreciation for everyday human screams would be inappropriate. Emotional hardcore, a genre characterized by dissonant instrumentation, inwardly focused lyrics, and vocals that closely mimic natural human screams, explicitly rejects the traditional aesthetic beautification of pain common in art. Instead, the genre endorses "emotional anti-sublimation," valuing the raw, unfiltered expression of pain that challenges restrictive social norms on emotional expressiveness, and "aesthetic anti-sublimation," opposing the idea that artistic representations of pain must be beautified. Drawing on Arthur Danto's concept of artworks as "embodied meanings," the article argues that screamed vocals carry meanings and values distinct from everyday screams, justifying their aesthetic appreciation without endorsing sadistic delight in real suffering.
Additional Information
- Source:British Journal of Aesthetics. 2024/10, Vol. 64, Issue 4, p625
- Document Type:Article
- Subject Area:Music
- Publication Date:2024
- ISSN:0007-0904
- DOI:10.1093/aesthj/ayae012
- Accession Number:180549749
- Copyright Statement:Copyright of British Journal of Aesthetics is the property of Oxford University Press / USA and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
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