JOURNAL ARTICLE

The Professionals: The Killer and Ferrari.

  • Published In: American Cinematographer, 2024, v. 105, n. 1. P. 16 1 of 3

  • Database: Art Source Ultimate 2 of 3

  • Authored By: Thomson, Patricia 3 of 3

Abstract

The article delves into Erik Messerschmidt's cinematography in "The Killer" and "Ferrari," highlighting his collaborative work with David Fincher and Michael Mann. It discusses Messerschmidt's approach to capturing the films' visual dynamics, including shooting techniques across diverse locations, camera equipment choices, and post-production strategies for achieving specific visual effects.

Additional Information

  • Source:American Cinematographer. 2024/01, Vol. 105, Issue 1, p16
  • Document Type:Article
  • Subject Area:Music
  • Publication Date:2024
  • ISSN:0002-7928
  • Accession Number:174352892

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