« La liberté, c'est le vent ». Histoire et humanisme dans Le chant du retour de Vera Feyder.

  • Published In: Orbis Litterarum, 2024, v. 79, n. 3. P. 280 1 of 3

  • Database: Academic Search Ultimate 2 of 3

  • Authored By: Niedokos, Judyta 3 of 3

Abstract

This article examines the play "Le chant du retour" by Vera Feyder, which was commissioned to commemorate the bicentennial of the French Revolution. The play incorporates historical elements and explores the concept of humanism through the character of Maxime. It also addresses themes of fraternity, freedom, and the treatment of foreigners in the town of Arras. Through various art forms, the play aims to revive the spirit of revolution and convey a message of compassion and understanding. [Extracted from the article]

Additional Information

  • Source:Orbis Litterarum. 2024/06, Vol. 79, Issue 3, p280
  • Document Type:Article
  • Subject Area:Politics and Government
  • Publication Date:2024
  • ISSN:0105-7510
  • DOI:10.1111/oli.12438
  • Accession Number:177219715
  • Copyright Statement:Copyright of Orbis Litterarum is the property of Wiley-Blackwell and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

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