JOURNAL ARTICLE
Transposed African myths in the works of Mphethi Morojele.
Published In: South African Journal of Art History / Suid-Afrikaanse Tydskrif vir Kunsgeskiedenis, 2024, v. 39, n. 2. P. 40 1 of 3
Database: Art Source Ultimate 2 of 3
Authored By: Mabe, Phadi 3 of 3
Abstract
The following paper highlights the presence of myth narratives in the architectural compositions designed by the architect, Mphethi Morojele. Architects employ diverse references in their conception and depiction of space, and one such reference that Mphethi Morojele incorporates, is that of African mythology. African myths in this context will be understood as literary stimuli that offer divergent approaches to architectural production and representation. The objective of this discussion is to underscore Morojele’s unique method of transposing myth narratives and the implications of such integration. The relevance of myth narratives as catalysts to processes of spatial production will be scrutinised and critically analysed. The article argues that when myth is transmuted into a spatial dimension in Morojele’s corpus of work, it transforms myth into an experiential edifice, a mode of storytelling, the bearer of narrative, and the mediator of ritual. Moreover, the article compares Morojele’s technique of transposing myth to how other architects situate myth in their methods of composing architecture. The paper contends that this mode of mythopoesis translates into spatial embodiment that is firmly anchored on creative integrations of an indigenous South African epistemology. [ABSTRACT FROM AUTHOR]
Additional Information
- Source:South African Journal of Art History / Suid-Afrikaanse Tydskrif vir Kunsgeskiedenis. 2024/12, Vol. 39, Issue 2, p40
- Document Type:Article
- Subject Area:Religion and Philosophy
- Publication Date:2024
- ISSN:0258-3542
- DOI:10.58978/sajah.2024.39.2.3
- Accession Number:183997572
- Copyright Statement:Copyright of South African Journal of Art History / Suid-Afrikaanse Tydskrif vir Kunsgeskiedenis is the property of Art Historical Work Group of South Africa and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
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