Artaud et l'expérience des langues: les glossolalies comme performance thérapeutique.

After taking part in an art therapy experiment in 1943, Antonin Artaud started to include in his writings passages of an invented language that he connected to the tradition of glossolalia. I argue that the polyglottic dimension of this glossolalic practice is essential. After expounding the relationship of glossolalia to linguistic diversity, I will demonstrate how Artaud's glossolalia conveys the poet's linguistic experience. More specifically, I will emphasize the importance of the Raramuri rituals, which Artaud witnessed in Mexico in 1936, for the definition of his glossolalic practice. The Raramuri vision of an embodied and performed therapy inspired the poet to reclaim his agency in the process of art therapy. Artaud's glossolalia corresponds to an art performance thought as such a therapy. This practice attempts to rebuild Babel, to simultaneously refound language and body. [ABSTRACT FROM AUTHOR]