JOURNAL ARTICLE
William Holman Hunt's Fantastic Magic Lantern.
Published In: Oxford Art Journal, 2025, v. 48, n. 1. P. 163 1 of 3
Database: Art Source Ultimate 2 of 3
Authored By: Hammerschlag, Keren Rosa 3 of 3
Abstract
The article focuses on the significance of light and lanterns in the works of artist William Holman Hunt, particularly in his painting *The Light of the World*. Hunt's fascination with Jerusalem and its nightscapes influenced his artistic exploration of themes such as enlightenment, revelation, and faith, as seen in his depiction of Christ holding a lantern. The article discusses the mixed reception of Hunt's work, highlighting how his use of light often evokes confusion and fear rather than clarity, reflecting his struggle to reconcile his Christian faith with the realities of death. Additionally, it examines the interplay between light and darkness in Hunt's religious paintings, suggesting that his innovative use of illumination techniques, including gaslight, reveals deeper existential questions about mortality and belief. [Extracted from the article]
Additional Information
- Source:Oxford Art Journal. 2025/03, Vol. 48, Issue 1, p163
- Document Type:Article
- Subject Area:Religion and Philosophy
- Publication Date:2025
- ISSN:0142-6540
- DOI:10.1093/oxartj/kcaf005
- Accession Number:188960788
- Copyright Statement:Copyright of Oxford Art Journal is the property of Oxford University Press / USA and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
Looking to go deeper into this topic? Look for more articles on EBSCOhost.