The many realisms of Marceline Loridan-Ivens's life and art.

This article focuses on the life and work of Marceline Loridan-Ivens (1928–2018), a French Jewish writer, filmmaker, and Holocaust survivor whose experience as a teenager in the Nazi death camp Birkenau profoundly shaped her artistic and ethical commitments. Loridan-Ivens's career spanned documentary filmmaking—often in collaboration with pioneering directors Jean Rouch and her husband Joris Ivens—and philosophical memoir writing, culminating in her 2003 film *La Petite Prairie aux Bouleaux* (The Little Birch Tree Meadow), a cinematic homage to Birkenau survivors. Her work is characterized by a blend of cinematic and narrative realism that explores memory, trauma, social responsibility, and resilience, while also emphasizing humor and human connection. The article highlights her lifelong dedication to bearing witness, fostering remembrance, and advocating for moral action, as well as her enduring friendship with fellow survivor and political figure Simone Veil.