JOURNAL ARTICLE
Desire, Violence, and Dépaysement: Toshiko Okanoue's Collages in Postwar Japan.
Published In: International Journal of Surrealism, 2025, v. 3, n. 1. P. 74 1 of 3
Database: Academic Search Ultimate 2 of 3
Authored By: Serrano, Domiziana 3 of 3
Abstract
The article focuses on the artistic contributions of Okanoue Toshiko, a Japanese collage artist active during the American occupation of Japan from 1945 to 1957. Okanoue's work, characterized by surrealist techniques and the incorporation of Western imagery, critiques patriarchal representations of women and reflects the complex socio-political dynamics of postwar Japan. Despite her innovative approach, scholarly engagement with her art remains limited, overshadowed by patriarchal structures that have historically marginalized women artists. The article also explores how Okanoue's collages serve as a medium for expressing the fragmented identities of women during a time of rapid cultural transformation, intertwining themes of desire, violence, and the reclamation of traditionally feminized art forms like sewing. [Extracted from the article]
Additional Information
- Source:International Journal of Surrealism. 2025/09, Vol. 3, Issue 1, p74
- Document Type:Article
- Subject Area:Visual Arts
- Publication Date:2025
- ISSN:2837-4649
- DOI:10.1353/ijs.2025.a973913
- Accession Number:189572835
- Copyright Statement:Copyright of International Journal of Surrealism is the property of University of Minnesota Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
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