The Pacific by Mark Helprin

First published: 1986

Type of plot: Psychological

Time of work: World War II

Locale: California

Principal Characters:

  • Paulette Ferry, a young woman working in a defense factory
  • Lee Ferry, her husband, a Marine Corps officer

The Story

A factory dedicated to the production of war materials is located in an idyllic rural landscape on the edge of the Pacific Ocean in California, north of Los Angeles. It is World War II and most of the factory's assembly-line workers are women, many married to soldiers who are far across the Pacific waging war against the Japanese.

One worker is Paulette Ferry, a young woman in her mid-twenties, originally from South Carolina. Her husband, Lee, is a Marine officer. While training on the east coast, Lee commented to Paulette that after the war, if he returned, they should go to California, where, because of the light, it would be like living in a dream. They did not have to wait until the war ended, however. Lee was assigned for further training at Twentynine Palms, in the desert outside of Los Angeles. With help from their parents, Paulette was able to accompany him, and they crossed the country by train, in perfect weather and north light, committed to embracing the experience as something to seize and remember in the event there was no future to share.

During the six months that Lee was at Twentynine Palms, Paulette worked in a defense factory south of Los Angeles. When Lee received his final embarkation orders, she moved north to the small town where the newly constructed factory was located. At the edge of the continent, where she would have a small house and a garden to till, only the air and the sea separated her from Lee.

Paulette, with her small hands, is a precision welder. Her factory produces altimeters used on American aircraft above the islands where Lee and his Marine comrades are fighting for their lives. One evening, Paulette takes on additional work when one of her coworkers on the assembly line becomes ill. She continues the double duty, telling her supervisor that she can work twice as fast as before. Everyone wonders how long Paulette can keep it up, but she does not falter.

Although physically spent when she returns to her small home in the early morning hours after her ten-hour shift, Paulette refuses to succumb to sleep. Instead, she sits in a chair, staring over the Pacific and trying not to sleep. While Lee was still in training, he told Paulette about the time when his company marched for three days and nights without rest, and afterward, while the rest of his company slept, he was assigned sentry duty despite his exhaustion. If he failed and fell asleep, he could be courtmartialed and sentenced to death. Just as he did his duty, Paulette now does hers.

Lee and Paulette exchange letters, but Lee does not want to hear about her life on the assembly line, or even about her garden, but only about her—what she thinks, what she eats, and how she looks. He asks for one of her barrettes as a keepsake, and he vows to come home. He is fighting for his life while she lives among golden hills on the edge of the Pacific where the clear sunlight "seemed like a dream in which sight was confused and the dreamer giddy."

In late 1943, Paulette learns that Lee and his Marine division are engaged in brutal combat on the island of Tarawa. Each day she scans the casualty lists in the newspaper for Lee's name. Her work is an escape—she cannot think about anything else under the pressures of the assembly line—but so long as she does her work and so long as Lee stays alive, she senses some sort of justice and equilibrium. Now instead of writing, she speaks silently to him. On the assembly line, she pushes herself faster and faster, all for him and for love, in the unstated hope that by so doing she can create a miracle that will keep Lee alive far across the misnamed Pacific. The story closes with the simple statement that the miracle "was not to be hers."

Bibliography

Alexander, Paul. "Big Books, Tall Tales." The New York Times Magazine 140 (April 28, 1991): 32.

Keneally, Thomas. "Of War and Memory." Review of A Soldier of the Great War, by Mark Helprin. The New York Times Book Review, May 5, 1991, 1.

Lambert, Craig. "Literary Warrior." Harvard Magazine (May/June, 2005): 38-43.

Linville, James. "Mark Helprin: The Art of Fiction CXXXII." The Paris Review 35 (Spring, 1993): 160-199.

"Mark Helprin's Next Ten Years (and Next Six Books) with HBJ." Publishers Weekly 236 (June 9, 1989): 33-34.

Max, D. T. "His Horses Used to Fly." The New York Times Book Review, November 7, 2004, p. 24

Meroney, John. "'Live' with TAE: Mark Helprin." The American Enterprise (July/August. 2001): 17-20.

Rubins, Josh. "Small Expectations." Review of Winter's Tale, by Mark Helprin. The New York Review of Books 30 (November 24, 1983): 40-41.

Solotarfoff, Ed. "A Soldier's Tale." Review of A Soldier of the Great War, by Mark Helprin. The Nation 252 (June 10, 1991): 776-781.