Lodovico Castelvetro

Literary Critic

  • Born: 1505
  • Birthplace: Modena, Italy
  • Died: February 21, 1571
  • Place of death: Chiavenna, Swiss Federation

Biography

Locovico Castelvetro was born into a noble family in Modena, Italy, probably in 1505. He studied law at the universities of Balogna, Ferrara, and Padua, and he then studied literature at Siena. After living for a time in Rome with his uncle, an ambassador to the Papal court, he returned to Modena, where he lectured on law and became a prominent literary critic.

An opinionated man with little sense of tact, Castelvetro became embroiled in a bitter quarrel with poet Annibale Caro, secretary to a powerful cardinal, after he ridiculed one of Caro’s canzoni. Caro responded with a pamphlet accusing him of impiety and heresy, and the Inquisition then summoned him to Rome. Having been influenced by Lutheranism, even translating a book by Philip Melancthon, Castelvetro had good reason to fear for his life. In 1560, he fled from Italy and was immediately excommunicated as a heretic.

Castelvetro spent the remained of his life in exile, first in France, then in Vienna, and finally in the Swiss Confederation. Acquiring an expert knowledge of Aristotle’s writings about poetry and drama, he published his one major work, La poetica di Aristotele vulgarizzata. He argued that the only purposes of poetry were to promote pleasure in readers and gain glory for the poet, rejecting the conventional view that poetry should also instruct and encourage virtue. According to him, effective poetry was based on three factors: time, place, and action. In addition, he criticized the Platonic notion that poets are possessed with a kind of divine madness. A few months after his book was published, he died in Chiavenna, Switzerland, on February 21, 1571.

Although later critics pointed out errors and weaknesses in Castelvetro’s interpretations of Aristotle’s works, he apparently exercised a degree of influence on the later history of literary criticism. He was especially influential on the theories and practices of the French classical tradition.