Betsey Brown: Analysis of Major Characters

Author: Ntozake Shange

First published: 1985

Genre: Novel

Locale: St. Louis, Missouri

Plot: Domestic realism

Time: 1959

Betsey Brown, the thirteen-year-old protagonist. the oldest child in a black middle-class family, Betsey struggles with the frustrations and fears of adolescence, compounded by attending a mostly white school. Because she is the oldest child, her parents have given her much of the responsibility for controlling the chaos created by her three siblings and younger cousin. This sets her apart from the other children, yet she knows she is not like her parents, and they do not understand her. Her most comforting moments are in the early morning, which she has claimed as her own. Frequently, she awakes before anyone else, seeks out one of the porches on the family's large house, and watches the sunrise. During the daytime, she finds peace and quiet by climbing a large tree in her yard. In this solitude, she is most at ease.

Greer Brown, Betsey's father, a physician. Greer wants his children to grow up proud, so he begins every morning with African drumming and chanting about black heritage, followed by a quiz about black history and culture. Under Greer's influence, Betsey comes to appreciate the blues and other styles of music that her mother considers unsuitable for people of their social class. When Greer announces his plans to involve the children in a civil rights demonstration, then further refuses to join the family in prayer, he precipitates a crisis in his marriage.

Jane Brown, Betsey's mother, a social worker who treats mentally ill patients in a segregated hospital. Jane has given up trying to manage the five children in her household, relying instead on her aging mother and a series of housekeepers. Her passion for her husband is fading, largely because his ideas about “Africanizing” his children conflict with her wishes to see them reared with the manners and tastes of their social class. Resentful of the long hours her husband puts in at the hospital and in his private practice, she amuses herself in the evenings by playing cards and polishing her nails. She leaves the family temporarily.

Vida Murray, Betsey's grandmother, who lives with the family. Vida disapproves of Greer, of modern music, and of modern women who wear lipstick. Her only comfort comes from memories of Frank, her late husband, and from rocking on the porch and praying.

Mrs. Maureen, the owner of a beauty parlor. As Betsey sees her, Mrs. Maureen is confident, worldly, and able to support herself with an honest trade. When Betsey runs away from home hoping to work in the beauty parlor, she learns that Mrs. Maureen also runs a bordello.

Carrie, the housekeeper. Although Carrie dresses strangely (she wears two housedresses at the same time, tied with a rope) and carries on a romance with the gardener behind Vida's back, she brings order to the household for the first time. She teaches the children proper manners and useful homemaking skills. Most important, she earns the love and respect of Betsey and is able to guide her through the perils of adolescence.