Crazy Horse Speaks by Sherman Alexie
"Crazy Horse Speaks" by Sherman Alexie is a poignant seven-part poem that delves into the life and legacy of the famed Oglala leader, Crazy Horse (c. 1842-1877). Alexie employs Crazy Horse's voice to explore themes of tribal leadership, identity, and the struggles faced by Indigenous peoples during the tumultuous period of U.S. expansion. The poem reflects on Crazy Horse's mystical experiences, his valor in battles such as those at the Rosebud and Little Big Horn, and the deep personal sorrows he faced, including his complicated relationship with Black Buffalo Woman.
Through the lens of Crazy Horse, Alexie contemplates the weight of leadership and the harsh realities confronting Native leaders like Sitting Bull and even General Custer. The poem raises thought-provoking questions about the perceptions of inevitability surrounding Indigenous military defeat, as well as the relentless spirit required to resist forced relocation to reservations. Ultimately, "Crazy Horse Speaks" captures the enduring resilience and complexity of a figure who embodies both tragic vulnerability and an unwavering commitment to his people’s fight for survival. This exploration invites readers to reflect on the broader narratives of resistance and identity in the face of historical challenges.
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Crazy Horse Speaks by Sherman Alexie
Excerpted from an article in Magill’s Survey of American Literature, Revised Edition
First published: 1993 (collected in Old Shirts and New Skins, 1993)
Type of work: Poem
The Work
“Crazy Horse Speaks,” which can be understood as a companion piece or response piece to “Custer Speaks” (also a seven-part poem collected in Old Shirts and New Skins), is the first of a number of instances in Alexie’s literary corpus in which he invokes the character of Crazy Horse, Tashunka Uitko of the Oglala, both for the nobility of his character and for the irony of his destiny. Crazy Horse (c. 1842-1877) seems to appeal to Alexie’s literary consciousness for a number of reasons: his mystical visions as a child and throughout his short life; his success as a warrior at the Battle of the Rosebud and at Little Big Horn; his mostly unrequited love and tribally tragic affair with Black Buffalo Woman; the suspicious circumstances of his bayoneting and death at Fort Robinson. Crazy Horse provides a shorthand representation of tragic vulnerability to which Alexie continued to return in prose and poetry over a decade.
From the perspective of Crazy Horse, the poem considers in seven numbered stanzas the responsibilities and burdens of tribal leadership, whether practiced by Sitting Bull (Hunkpapa Lakota leader) or the adversary George A. Custer or by Crazy Horse himself. In the fourth stanza, Crazy Horse recalls sitting across the fire from Sitting Bull: “We both saw the same thing/ our futures tight and small/ an 8 10 dream/ called the reservation./ We had no alternatives/ but to fight again and again/ live our lives on horseback.”
Alexie’s speculation raises a fascinating question: Did Crazy Horse, and perhaps Sitting Bull as well, perceive the inevitability of Indian military defeat yet continue to wage war with the U.S. cavalry to forestall the ultimate retreat to demarcated reservation land? The closing two-line stanza, however, shows Crazy Horse’s indefatigable spirit, even as it implies that the battle is indeed not over.
Bibliography
Brill, Susan Berry. Contemporary American Indian Literatures and the Oral Tradition. Tucson: University of Arizona Press, 1999.
Caldwell, E. K. Dreaming the Dawn: Conversations with Native Artists and Activists. Lincoln: University of Nebraska Press, 1999.
Fast, Robin Riley. The Heart as a Drum: Continuance and Resistance in American Indian Poetry. Ann Arbor: University of Michigan Press, 2000.
Grassian, Daniel. Understanding Sherman Alexie. Columbia: University of South Carolina Press, 2005.
Kilpatrick, Jacquelyn. Celluloid Indians: Native Americans and Film. Lincoln: University of Nebraska Press, 1999.
Lincoln, Kenneth. Sing with the Heart of a Bear: Fusions of Native and American Poetry, 1890-1999. Berkeley: University of California Press, 2000.
Vickers, Scott B. Native American Identities: From Stereotype to Archetype in Art and Literature. Albuquerque: University of New Mexico Press, 1998.