Gabriel Josipovici

French-born British novelist, short-fiction writer, playwright, and nonfiction writer.

  • Born: October 8, 1940
  • Place of Birth: Nice, France

Biography

Gabriel Josipovici was born on October 8, 1940, in Nice, France. His father, Jean, who was of Romanian Jewish descent, and his mother, Sacha Rabinovitch, who was the daughter of a Russian Jewish doctor, had been studying in France when Josipovici was born, but they separated when he was three years old. Josipovici’s mother was originally from Egypt, and she took her son back to that country after the end of World War II. They settled in Maadi, Egypt, where Josipovici attended English schools.

At the age of fifteen, he went to England to finish school at Cheltenham College, attending classes there from 1956 through 1957. His mother joined him in England in 1956. Following his graduation, he took a year off to explore the cultural resources of England, and then entered St. Edmund Hall, Oxford, in 1958, having been awarded a government scholarship to read English literature. He earned a first-class honors degree there in 1961, and almost immediately embarked on an academic career, teaching English at the University of Sussex in Brighton. In 1996, he served as the Weidenfeld Professor of Comparative Literature at the University of Oxford and retired from his full-time position at the University of Sussex in 1998.

Josipovici achieved immediate literary success with his first novel, The Inventory, published in 1968. The book presents the reader with a unique view of reality and memory, developed through the actions of its main character, a young man who takes inventory of a dead man’s belongings. As a literary critic, Josipovici evidenced interest in narrative fragmentation, discontinuity, repetition, and spiraling, all of which are present in the works of writers such as Franz Kafka and Virginia Woolf. These narrative principles are present in Josipovici’s own fiction, often functioning as a means of compelling the reader to share in his protagonists’ struggles to find meaning in life. He is widely considered to be one of the leading postmodern British novelists.

Josipovici’s nonfiction has also received critical attention. His literary criticism has been praised by many reviewers who cite Josipovici’s lucid style, the depth of his familiarity with a wide variety of literature, and the vitality of his concern for art. Some of Josipovici’s ideas are controversial, such as his blanket rejection of realism and dismissal of traditional forms. However, even those who disagree with Josipovici’s ideas still seem to admire his erudition and his passion.

Josipovici is an elected fellow of both the Royal Society of Literature and the British Academy. He received the London Sunday Times award in 1970 for his play, Evidence of Intimacy, and the South East Arts Literature Prize in 1978 for The Lessons of Modernism, and Other Essays. In 2007, he was invited by the University of London to give the Coffin Lecture on Literature; the lecture was published in 2010 under the title of What Ever Happened to Modernism? These honors reflect the prevailing view that Josipovici is a highly regarded literary critic and leading experimental fiction writer.

In 2021, he published 100 Days, a collection of essays Josipovici wrote over the span of one hundred days during the 2020 COVID-19 lockdowns. In 2024, he published Partita/A Winter in Zürau, a unique combination of fiction and non-fiction in one novel.

Author Works

Drama:

Vergil Dying, pr. 1979, pb. 1981

Evidence of Intimacy, pr. 1970

Long Fiction:

The Inventory, 1968

Words, 1971

The Present, 1975

Migrations, 1977

The Echo Chamber, 1980

The Air We Breathe, 1981

Conversations in Another Room, 1984

Contre-Jour: A Triptych After Pierre Bonnard, 1986

The Big Glass, 1991

In a Hotel Garden, 1993

Moo Pak, 1994

Now, 1998

Goldberg: Variations, 2002

Nur ein scherz, 2005 (Only Joking, 2010)

Everything Passes, 2006

After and Making Mistakes, 2009

Infinity: The Story of a Moment, 2012

Hotel Andromeda, 2014

Partita, as part of a double novel, 2024

Nonfiction:

The World and the Book: A Study of Modern Fiction, 1971

The Lessons of Modernism, and Other Essays, 1977

Writing and the Body, 1982

The Mirror of Criticism: Selected Reviews, 1977–82, 1983

The Book of God: A Response to the Bible, 1988

Text and Voice: Essays 1981–1991, 1992

Touch, 1996

On Trust: Art and the Temptations of Suspicion, 1999

A Life: Sacha Rabinovitch, 1910-1996, 2001

The Singer on the Shore: Essays 1991–1994, 2006

What Ever Happened to Modernism?, 2010

100 Days, 2021

A Winter in Zürau, as part of a double novel, 2024

Short Fiction:

Mobius the Stripper: Stories and Short Plays, 1974

Four Stories, 1977

In the Fertile Land, 1987

Heart's Wings & Other Stories, 2010

Bibliography

Alberge, Dalya. "Feted British Authors are Limited, Arrogant and Self-Satisfied, Says Leading Academic." The Guardian, 28 July 2010, www.theguardian.com/books/2010/jul/28/gabriel-josipovici-dismisses-english-authors. Accessed 3 Oct. 2024.

Fludernik, Monika. Echoes and Mirrorings: Gabriel Josipovici's Creative Oeuvre. New York: Lang, 2000.

Josipovici, Gabriel. Interview by Michael Signorelli. Cruelest Month, 26 Feb. 2007, cruelestmonth.typepad.com/cruelestmonth/2007/02/an‗interview‗ga.html. Accessed 3 Oct. 2024.

Josipovici, Gabriel. "The Mind of the Modern: An Interview with Gabriel Josipovici." Interview by Victoria Best. Numéro Cinq, 1 Dec. 2015, numerocinqmagazine.com/2015/12/01/the-mind-of-the-modern-an-interview-with-gabriel-josipovici-victoria-best/. Accessed 3 Oct. 2024.

Stawiarski, Marcin, ed. Critical Perspectives on Gabriel Josipovici. Spec. issue of Revue LISA 12.2 (2014), journals.openedition.org/lisa/5735?lang=en. Accessed 3 Oct. 2024.

"Works." Gabriel Josipovici Official Website, 2024, www.gabrieljosipovici.org/works.shtml. Accessed 3 Oct. 2024.