The Goalie's Anxiety at the Penalty Kick: Analysis of Major Characters
"The Goalie's Anxiety at the Penalty Kick: Analysis of Major Characters" explores the psychological turmoil of Joseph Bloch, a former soccer goalie whose life spirals into chaos and violence following the end of his athletic career. Bloch, depicted as paranoid and disconnected from reality, grapples with feelings of purposelessness and isolation. The narrative unfolds through his interactions with significant characters, like Gerda, a theater cashier whose fleeting connection with Bloch ends tragically, highlighting themes of existential despair and moral ambiguity. Bloch’s encounters with other characters, such as a girl in a restaurant and his girlfriend Hertha, further illustrate the pervasive sense of rootlessness and disillusionment in modern society. The policeman's brief interaction with Bloch draws a parallel between the pressures of goalkeeping and the challenges of confronting one’s inner demons. This character-driven analysis invites readers to consider deeper psychological and philosophical questions about identity, morality, and the impact of societal pressures on individual behavior. Through Bloch's journey, the narrative raises poignant reflections on the nature of anxiety and the human condition in an unpredictable world.
The Goalie's Anxiety at the Penalty Kick: Analysis of Major Characters
Author: Peter Handke
First published: Die Angst des Tormanns beim Elfmeter, 1970 (English translation, 1972)
Genre: Novel
Locale: Vienna and a small Austrian village
Plot: Psychological realism
Time: The late 1960's
Joseph Bloch, a construction worker and former soccer goalie. Bloch is a young man when viewed from all perspectives except the game of soccer, which he used to play quite well. Unfortunately, his soccer days are behind him; this is unfortunate because he cannot accommodate himself to the far more complex and unpredictable world of an everyday reality that does not abide by the clear-cut rules of sport. Bloch's paranoia is signaled in the novel's opening paragraph, when he assumes that he has been fired because only the foreman looks at him when he walks into the construction shack. His murder of a theater cashier a day later is merely an extension of this first irrational thought. Throughout the rest of the novel, this formerly great goalie is, ironically, without a goal: He has no genuine destination or purpose in life. The reader follows his wanderings, witnesses his descent into ever deeper psychosis, and wonders how long it will be before his murderous impulse overtakes him again.
Gerda, a theater cashier. Because all characters are seen through Bloch's paranoid-psychotic eyes, it is difficult to view them as discrete, independent entities. For example, the reader is less “astonished” at the naturalness with which the cashier handles Bloch's money than is Bloch himself, yet it is this quality (which Bloch does not possess) that attracts him to her, ultimately leading to her death. She is a product of an existential age, as is Bloch, and in a small way at least—by her foolishness and loose morals—she contributes to her own demise. She lets the peculiar-acting and strange-looking Bloch (he has just been mugged) follow her down a dark street, and when he touches her, she embraces him with a ferocity that surprises even him. She takes this disheveled stranger into her apartment and into her bed. One indication of how little human warmth is involved in this sexual encounter is the fact that she does not bother to tell Bloch her name until the next morning. Shortly afterward, he murders her.
Girl in restaurant, whom Bloch encounters shortly before he meets Gerda. She personifies the rootlessness, heedlessness, and lack of morals of most of the characters who people Bloch's bleak world. With hardly any effort, Bloch manages to pick her up in the restaurant, and she accompanies this total stranger as he tries to find a doorway in which they can have a sexual encounter. No doorway is available, so they ride up and down in an elevator; afterward, Bloch leaves her.
Hertha, Bloch's girlfriend. It is possible that Hertha exists only in Bloch's imagination. He “remembers” that she lives in the border town to which Bloch flees after the murder, but he makes no effort to locate her. In the middle of a conversation with his landlady, however, he begins to call her “Hertha” in his mind, though never aloud. She responds to him in a friendly fashion, but she is efficient, practical, and responsible—unlike the rootless women whom Bloch encounters elsewhere—and perhaps this saves her. Nothing comes of their relationship, although Bloch talks to her more than to anyone else in the novel.
A policeman, who in a short scene with Bloch describes the task of catching a suspect in terms strikingly similar to those used by Bloch to describe the task of a soccer goalie.