I'm Not Stiller: Analysis of Major Characters
"I'm Not Stiller" explores the complexities of identity and relationships through its major characters, primarily focusing on Anatol Ludwig Stiller, a sculptor who returns to Switzerland after a seven-year absence. Stiller assumes the identity of James Larkin White, yet is believed to be the missing artist he once was. Throughout the narrative, Stiller grapples with self-acceptance and an idealized sense of who he wishes to be, marked by his insecurities and mediocrity in art. His marriage to Julika, a distant and beautiful ballet dancer, is fraught with unspoken challenges, ultimately leading to her untimely death from tuberculosis.
Supporting characters include Rolf, the public prosecutor, who becomes a friend to Stiller, revealing the complexities of marriage and infidelity through his own experiences. Rolf's wife, Sibylle, seeks fulfillment outside her marriage through a relationship with Stiller, reflecting the emotional turmoil and conflicts faced by the characters. Dr. Bohnenblust, Stiller's defense counsel, serves as a voice of reason, contrasting with Stiller's volatile nature. The narrative weaves together these relationships, highlighting themes of alienation, longing, and the search for one's true self amidst societal expectations.
I'm Not Stiller: Analysis of Major Characters
Author: Max Frisch
First published: Stiller, 1954 (English translation, 1958)
Genre: Novel
Locale: Switzerland, elsewhere in Europe, and the United States
Plot: Existentialism
Time: The mid-twentieth century
Anatol Ludwig Stiller (AN-ah-tohl LEWT-vihg SHTIHlehr), a sculptor. The novel begins when the protagonist returns to Switzerland after a seven-year disappearance. He claims to be an American, James Larkin White, but is thought to be a missing Zurich artist, Anatol Ludwig Stiller. On the request of his defense counsel, Stiller writes seven notebooks recording his life. As a young man, Stiller fought in the Spanish Civil War, but he believes himself to have acted in a cowardly manner. He wants to be someone he is not and is plagued by an uncertain sense of identity and an inability to accept himself. He is imaginative, insecure, talkative, capricious, and charming. He and his cronies spent countless hours discussing art, but the art he produces is mediocre. His greatest challenge is his marriage to the dancer Julika, a doll-like and aloof woman whose distance and reserve he fails to broach. After a brief affair with Sibylle, he flees to America to begin a new life, but seven years later he returns to Switzerland and reluctantly accepts his old identity. He and Julika move to a farmhouse, where he works as a potter. Two years later, Julika dies, and Stiller lives quietly and alone in the countryside.
Julika Stiller-Tschudy (YEW-lih-kah SHTIH-lehrTSHEW-dee), a ballet dancer and Stiller's wife. Julika has the lithe and trained body of a dancer, more boyish in its impression than womanly. She is coolly beautiful, with “bluish-green eyes like the edges of colorless window-glass.” Her lips are rather thin, and her plucked eyebrows give her a perpetually surprised expression. She has luxurious red hair and an alabaster complexion. She values her dancing, at which she is very successful; she is the primary supporter in the Stiller-Tschudy household. Julika is taciturn, practically unable to express herself verbally and unwilling to reveal anything about her inner life. She keeps her serious illnesses from her husband until the last moment and then withdraws into quiet suffering. Following an apparent cure at Davos, Julika, who appears to be a beautiful object, a work of art rather than a flesh-and-blood woman, succumbs to tuberculosis two years after Stiller's return to Switzerland.
Rolf, Stiller's public prosecutor. As a sensible person who diligently performs his duties, Rolf is Stiller's opposite. During their conversations in Stiller's prison cell, he and Stiller become friends and remain so after Stiller's release. The prosecutor reveals to Stiller that his coolly theoretical view of marriage, that spouses must give each other a great deal of privacy and freedom, collapsed in the light of his wife's confessed infidelity. Ironically, his wife had fallen in love with Stiller, although the prosecutor and Stiller did not meet until after Stiller's reappearance seven years later. In a sense, the prosecutor is both the public accuser and the accusing husband; he is, however, completely nonjudgmental and is more understanding than Stiller's appointed defense counsel. He becomes Stiller's good friend. The prosecutor seems to have acquired a level of equanimity and tolerance that eludes Stiller. In a postscript to Stiller's notebooks, he records the events occurring after Stiller's release from prison.
Sibylle (sih-BIHL-leh), Rolf's wife. The dark-haired Sibylle, in her late twenties, is the mother of a little boy, Hannes. She reluctantly accepts her husband's infidelities, which occur when he is on business trips and are said to have nothing to do with his relationship to her. She retaliates through flirtations at social events. She lacks fulfillment in her marriage, and her interest in Stiller, which began as a provocation to her husband, evolves into a love affair. When she understands that Stiller finally agrees to go to Paris with her only because business is taking him there anyway, she leaves both her husband and Stiller and moves to New York with her son. She supports herself and him by working as a secretary. After several years of separation without a divorce, her husband travels to New York, and Sibylle and Hannes return to Switzerland with him. Sibylle and Rolf have another child and seem to lead a reasonably content married life.
Dr. Bohnenblust (BOH-nehn-blewst), Stiller's defense counsel, appointed by the state. He visits Stiller in his cell and requests that he write down his life story. Bohnenblust is a decent and inoffensive fellow from a good family; he is inhibited but just. Stiller is irritated by his moderation and didacticism. Bohnenblust seems to believe that by trying to talk common sense into Stiller, he can change him.
Knobel (KNOH-behl), Stiller's warden. Knobel is the only one who believes Stiller's claim that he is not Stiller.