The Insulted and the Injured: Analysis of Major Characters

Author: Fyodor Dostoevski

First published: Unizhennye i oskorblyonnye, 1861 (Injury and Insult, 1887; better known as The Insulted and the Injured)

Genre: Novel

Locale: St. Petersburg

Plot: Social realism

Time: The mid-nineteenth century

Ivan Petrovitch (ee-VAHN peh-TROH-vihch), the narrator, a young author. He has a selfless devotion to his friends; at a time when his own literary career is at a crux and he might be forgiven for indulging his own concerns, he immerses himself in the troubles of everyone around him. He becomes the universal confidant, and his is the common shoulder on which they cry. An orphan, he was taken in by the Ichmenyevs; he and Natasha had been reared together and fallen in love. Shortly before the main action of the novel, he had made a great success with his first novel and had become engaged to Natasha. The main action covers the period of Natasha's love affair with Alyosha. Ivan never reproaches Natasha for her breach of affection and is only solicitous of her happiness. This novel apparently is his final work, a memoir he is writing from his sickbed, where, undone by the strains of all that happens, he is convinced that he will die.

Natalia “Natasha” Nikolaevna Ichmenyev (nih-koh-LAHehv-nah ihch-MEH-nyehv), Nikolai Sergeyitch's daughter, who is in love with Alyosha. She is a beautiful young woman, strong in her character, able to keep a calm understanding of herself and her situation, even when under the compulsions of her sometimes violent passions. Once engaged to Ivan, she has now fallen in love with the sincere but haphazard and weak Alyosha. Her love comes, perhaps, from her own excess of strength. She goes to live with him, thus making her social position forfeit and breaking her from her family, although she has no realistic hope of keeping his affections for long. It is only through the actions of the ever-generous Ivan that, having lost Alyosha, she is peacefully reunited with her family. Although she has this much of a happy ending, it is clear that she will live with her thwarted passion for a long time.

Alexei “Alyosha” Pyotrovitch Valkovsky (pyoh-TROHvihch vahl-KOV-skee), Prince Valkovsky's son. He is torn between the choice of two women: Natasha, who loves him selflessly, and Katya, who is good-hearted and (more important to Alyosha's conspiring father) immensely rich. He is a charming youth, a handsome, delicate young man with a feminine nervousness; he is merry and kindhearted, with an open soul capable of the noblest feelings and a loving heart. He is candid, grateful, and completely childish. All of his impulses and inclinations are the fruit of excessive nervous impressionability, a warm heart, and an irresponsibility that, at times, almost approaches incoherence. He has an extreme susceptibility to every kind of external influence and a complete absence of will. Although he loves Natasha, in his fashion, he is, in the end, too weak to deny his father.

Prince Pyotr Alexandrovitch Valkovsky (pyohtr ah-lehkSAN-droh vihch), Alyosha's father, an aristocrat and figure in St. Petersburg society. He is the monster of the story: Through his unchecked rapacity, all the other characters come to grief. He was born of an ancient but financially ruined family, took a government post, married for money, and by means of one intrigue or another, using his rare talent for duplicity, took himself to the pinnacle of society. He is spiteful, cunning, and intensely egotistic. In his connection to Natasha's family, he wants not only to keep his son to his own purposes but also to ruin Nikolai Sergeyitch, to insult Natasha as he spoils her romance, and to show himself to Ivan in his full moral ugliness. He ends the novel triumphant and unreconstructed, having disturbed the moral equilibrium, and, as often as not, the physical constitutions, of the other figures in the novel.

Nikolai Sergeyitch Ichmenyev (sehr-GEH-ihch), Natasha's father, formerly the manager of Prince Valkovsky's estates, now involved in a lawsuit against him. He is a simple-hearted, straightforward, disinterested, and generous man, reserved in his affection. He is delicate about showing his tenderness but is quick to form the bonds of love. Prince Valkovsky has accused him of embezzlement and of conspiring to use Natasha to snare Alyosha and make an advantageous match. It is while the suit is being heard that Natasha goes to live with Alyosha. He is lost, torn by his violent pride and his lavish affection. When the worst has happened with his suit and Natasha's betrothal, his heart, prompted by Ivan and Nellie, melts. He is able to reconstruct his life as he reconstructs his family.

Elena “Nellie” Smith, an orphan taken in by Ivan and, later, by the Ichmenyevs. She is a high-strung girl of thirteen or so, epileptic, with an unstable nervous disposition. She is willful and energetic, at times capricious and gleefully contrary, at times generous and patiently loving. She is the child of a truly broken home: Her mother and grandfather kept an ancient quarrel alive until their deaths, and the identity of her father is the book's dark mystery. Their divisions live on in Nellie. Ivan asks her help in reconciling Natasha to her father: He asks that she tell her own, parallel, story simply and straightforwardly, in the hope of softening Nikolai Sergeyitch's heart. She succeeds, but the strain of recollecting her story unsettles her. She falls into physical disorder and dies at the close of the novel.