The Overcoat II by T. Coraghessan Boyle

First published: 1982

Type of plot: Parody

Time of work: The 1980's

Locale: Moscow

Principal Characters:

  • Akaky Akakievich Bashmachkin, a clerk in the Soviet bureaucracy
  • Petrovich, a tailor
  • Studniuk, a resident of Akaky's apartment
  • Rodion Ivanovich Mishkin, Akaky's chess partner
  • Zharyenoye, an inspector with the Security Police

The Story

Akaky Akakievich Bashmachkin, an anonymous clerk in the Soviet bureaucracy, lives for his work, has no outside interests, has no time for anything but waiting in endless queues for items that may not even be available when his turn finally comes. Even though he shares a four-room apartment with fourteen others, the only dissatisfaction he finds with his life is the cheap, tattered overcoat that does nothing to protect him from Moscow's below-zero weather. Akaky bought the coat only because a Central Department Store clerk ridiculed the quality of Soviet-made products and tried to sell him a black-market overcoat in an alley.

Akaky takes his problem to Petrovich, a tailor, who assures him that the coat is beyond repair and offers to make him an overcoat "like they wear in Paris" for 550 rubles, nearly three months' salary. Akaky's younger coworkers, who wear black-market blue jeans and leather flight jackets with fur collars, make fun of his appearance and drape his pathetic coat over the life-sized statue of Lenin in their office. Akaky loses his temper for the first time during his twenty-five years there and tries to stir them with an oration about comradeship, only to be greeted by a "rude noise."

Akaky is upset because he sees himself as "a good man, true to the ideals of the Revolution, a generous man, inoffensive, meek: why did they have to make him their whipping boy?" Old Studniuk, one of those living in his apartment, tells him that he is foolish for continuing to believe in the Party, that he must wheel and deal on the black market to get everything he can because there "ain't no comrade commissioner going to come round and give it to you." Studniuk explains that Akaky's fellow clerks despise him because, in his sad overcoat, he acts as if he considers himself a saint.

Because Akaky has, for twenty-two years, sent half of his meager salary to his invalid mother in the Urals, he has to exhaust his savings and sell his television set to pay Petrovich, but the beautiful camel's hair overcoat with a fox collar is worth it. Akaky is overwhelmed by its beauty and warmth, thinking that it makes him look like a member of the Politburo or the manager of the National Hotel.

His coworkers are equally impressed but suspicious. Rodion Ivanovich Mishkin, Akaky's lunchtime chess partner, says, "so you've finally come around." Akaky ignores the implications of such remarks, especially when Mishkin invites him home for the first time. On the way to Mishkin's home, Akaky experiences another first, being approached by an attractive young prostitute, but he runs away, "hurtling headlong up the street as if a legion of gypsy violinists and greedy yankee moneylenders were nipping at his heels."

After having one of the best times of his life with Mishkin, Akaky walks into snowy Red Square "thinking how lucky he was," only to have two men beat him and steal his beloved coat. After a day of waiting in lines, Akaky is brought before Inspector Zharyenoye of the Security Police. The police have recovered his coat, but his joy is short-lived when Zharyenoye removes the collar lining to reveal that the coat was made in Hong Kong. Akaky is fined one hundred rubles for receiving stolen goods, and the coat is confiscated.

Akaky finds that everything in which he has believed has been betrayed. He goes home, develops pneumonia, and dies. Everyone who has known him soon forgets him. After some initial guilt, Inspector Zharyenoye wears the coat proudly because "people invariably mistook him for the First Secretary himself."

Bibliography

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Adams, Michael. "T. Coraghessan Boyle." In Dictionary of Literary Biography Yearbook: 1986, edited by J. M. Brook. Detroit: Gale Research, 1987.

Ang, Audra. "Author, Professor, Eco-Conscious." Associated Press 18 (October, 2000).

Carnes, Mark. Novel History: Historians and Novelists Confront America's Past (and Each Other). New York: Simon & Schuster, 2001.

DeCurtis, Anthony. "A Punk's Past Recaptured." Rolling Stone, January 14, 1988, 54-57.

Shelden, Michael. "T. Coraghessan Boyle: The Art of Fiction CLXI." Paris Review 155 (Summer, 2000): 100-126.

"T. Coraghessan Boyle." In Contemporary Literary Criticism, edited by Dan Marowski. Vol. 36. Detroit: Gale Research, 1986.

Vaid, Krishna Baldev. "Franz Kafka Writes to T. Coraghessan Boyle." Michigan Quarterly Review 35, no. 3 (Summer, 1996): 53-57.