The Trickster by Muriel Gray

First published: 1994

The Work

InThe Trickster, Muriel Gray uses the structure of the supernatural horror story to probe issues regarding Native North American identity in the twentieth century. The experiences of the novel’s protagonist, Sam Hunt, crystallize the problems of Native North Americans living in white society and general concerns about the ramifications of cultural assimilation.

The trickster, a creature mentioned in many tribal mythologies, is notorious for adopting disguises in order to deceive its victims. Although legends of the trickster often portray it as mischievous, Gray presents it as a malevolent meddler in conflicts of interest between Native North Americans and white society. The novel opens with the accidental liberation of the trickster from Wolf Mountain, a stronghold in the Alberta province of Canada where it has been imprisoned for nearly a century. In the guises of a number of different people, the creature embarks upon a rampage of gruesome murders, all of which coincide with blackouts experienced by Sam Hunt, a member of the Kinchuinick tribe whose ambivalence toward his tribal heritage is mirrored in the trickster’s shifting identities.

To all outward appearances, Sam is an easygoing man who is content with his job as a grounds groomer for the Silver Ski Company and his role as husband and the father of two children. Sam, however, is still struggling to deny his family’s history, which encapsulates the plight of Native North Americans in the twentieth century. Sam’s great grandfather, a Kinchuinick shaman, helped inter the trickster in 1907, but was blamed by a railroad magnate building a tunnel through Wolf Mountain for the deaths of several workers. Sam’s grandfather continued the family’s shaman tradition on the tribal reservation but was murdered by his own son, Sam’s father, an alcoholic who mercilessly abused Sam. Sam fled the reservation and repudiated his Kinchuinick heritage by shortening the family name from Hunting Wolf to Hunt and marrying a white woman.

As events force Sam to confront his past, he realizes that he still wrestles with many unresolved conflicts regarding his heritage. These conflicts are fueling the trickster’s murder spree. More important, Sam’s son Billy is having dreams and visions about the trickster’s hold on his father, which suggests that the family’s shaman trait lives on, despite Sam having turned his back on it. When Calvin Bitterhand, the shaman who was charged with instructing Sam in his grandfather’s skills, contacts Sam, Sam grudgingly accepts responsibility to help lay the trickster to rest.

The novel ends with a final battle between Sam and the trickster in the tunnels of Wolf Mountain. The battle recapitulates the experience of his great grandfather. Its resolution has as much to do with Sam coming to terms with his past and re-embracing the culture he has spurned as it is does with the exorcism of an evil spirit.

Bibliography

Johnson, Eric W. Review of The Trickster, by Muriel Gray. Library Journal 120, no. 10 (June 1, 1995): 160.