Veracruz culture

Category: Prehistoric tradition, archaeological site

Date: 1200-400 b.c.e.

Location: Southern Mexican Gulf Coast

Cultures affected: Aztec, Maya, Olmec

In the jungles of Mexico’s Gulf Coast, now the modern states of Veracruz and Tabasco, a culture emerged which set the patterns for later civilization in Mesoamerica. Nothing is known of the origin or the ultimate fate of the people who established this ancient and elaborate civilization, but they produced the pre-Columbian art known as “Olmec.” Father Bernardino de Sahagún, a Jesuit monk, wrote of the Olmec (“rubber people”) from Tamoanchán, a Mayan name meaning “Land of Rain or Mist”; the Mayan name suggests a linguistic relationship. Many later civilizations in Mexico traced their ancestry to the Olmec.

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Three basic cultural traits of Mesoamerican civilization are believed to have originated with the Olmec; worship of a fertility and rain god, monumental architecture, and extensive trade. Southern Veracruz, the Olmec “heartland,” was dense tropical forest and swampy lowland with an annual rainfall of 120 inches. Extremes of the environment brought about a religion which involved ritual and ceremony for controlling rainfall and protecting people from jungle spirits.

The cult of the jaguar was Mesoamerica’s first formal religion; it was based on the legendary union of a woman and a jaguar which produced the race of infantlike monsters called “were-jaguars”—men with sacred jaguar blood. These “jaguar babies,” gods of rain and fertility, evolved into the Mesoamerican image of the rain god.

In the Formative Period, between 1200 and 400 b.c.e., this complex culture flourished, first at San Lorenzo, then by 900 b.c.e. at La Venta, its most important religious center. In both centers massive architecture and huge stone carvings were the focus of daily life organized and directed by the elite class. The level of Olmec civilization is judged by the presence of major public works, the first built in North America. These included ceremonial plazas, pyramids with temples, reservoirs, and well-developed water transport systems.

Monumental sculptures, another indicator of a complex civilization, were evident throughout Veracruz. La Venta was a site of the famous colossal heads carvings, some weighing more than 20 tons, each carved from a single stone. These helmeted images combined features of a human infant and a jaguar, likely the rain god, first of the Mesoamerican deities. The same distinctive art style was also expressed in small clay figurines and finely detailed jade pendants which carried images of the snarling infant-jaguar god.

Religious symbolism in Olmec art served as a visible common bond within the culture, linking peasants with political and royal leaders, who were intermediaries between gods and men. A balance was achieved as peasants farmed corn to provide food for royalty, while royalty organized public life in the spiritual, political, and economic realms via an intricate ritual and civic calendar.

Seasonal markets where vast amounts of food and goods were exchanged provided structure through the year. Artifacts found in locations far from Veracruz indicate that Olmec political and economic influence extended via trade routes to the central Mexican highlands and along the Pacific Coast to El Salvador. Some theories suggest that Preclassic Olmecs might have been Mayas who later moved into the Yucatán peninsula.